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DOCUMENT 1 When the makers of Hollywood movies, documentary films, or TV news programs want to evoke the spirit of the 1960s, they typically show clips of long-haired hippies dancing at a festival, protestors marching at an antiwar rally, or students sitting-in at a lunch counter, with one of two
DOCUMENT 1 When the makers of Hollywood movies, documentary films, or TV news programs want to evoke the spirit of the 1960s, they typically show clips of long-haired hippies dancing at a festival, protestors marching at an antiwar rally, or students sitting-in at a lunch counter, with one of two songs by Bob Dylan—“Blowin’ in the Wind” or “The 5 Times They Are a-Changin’”—playing in the background. Journalists and historians often treat Dylan’s songs as emblematic of the era and Dylan himself as the quintessential “protest” singer, an image frozen in time. Dylan emerged on the music scene in 1961, playing in Greenwich Village coffeehouses after the folk music revival was already underway, and released his first album the next 10 year. Over a short period—less than three years—Dylan wrote about two dozen politically oriented songs whose creative lyrics and imagery reflected the changing mood of the postwar baby-boom generation and the urgency of the civil rights and antiwar movements. At a time when the chill of McCarthyism was still in the air, Dylan also showed that songs with leftist political messages could be commercially 15 successful. […] By 1964, however, Dylan told friends and some reporters that he was no longer interested in politics. […] Even after 1964, however, Dylan occasionally revealed that he hadn’t lost his touch for composing political songs. His 1965 song “Subterranean Homesick Blues” 20 references the violence inflicted on civil rights protestors by cops but also reflected his growing cynicism. The extremist wing of Students for a Democratic Society took their name— Weatherman—from another line in that song. Other songs indicate that Dylan still had the capacity for political outrage. Dylan performed at several concerts to raise money for liberal causes—hunger in 25 Bangladesh in 1971 and in Ethiopia in 1985, and the Farm Aid concert to raise money for U.S. family farmers later in 1985. In 1991, upon receiving the lifetime achievement award from the Academy of Recording Artists and Performers, while U.S. troops were fighting in Iraq, Dylan performed his “Masters of War.” On election night 2008, Dylan was playing a concert at the University of Minnesota. As Barack Obama’s victory was 30 announced, Dylan said, “I was born in 1941. That was the year they bombed Pearl Harbor. I’ve been living in darkness ever since. It looks like things are going to change now.” Peter Dreier, The Political Bob Dylan, May