Sujet LLCER — Terminale — Liban — Bac 2022

SUJET 1 Le sujet porte sur la thématique « Expression et construction de soi » 1ère partie Prenez connaissance de la thématique ci-dessus et du dossier composé des documents A, B et C et traitez en anglais la consigne suivante (500 mots environ) : Show how art enables people to tackle the question of identity (in its individual or collective form), and to build a positive creative future for themselves. 2ème partie Traduction : Translate the following passage from Document B into French. L’usage du dictionnaire unilingue non encyclopédique est autorisé. So these are my superheroes, and my imaginary vindication1. Our female ancestors fly across the ocean, invade the museums and take back our possessions. The women have blasted the doors of the museum open, thrown their cotton print dresses away, and reclaimed their traditional dresses. Every dress in the painting is a real dress in a museum collection. I felt much better after I finished. By painting this I took something back. I brought them home. (lignes 5-10) 1 victory 22-LLCERANLR1 Page : 2/9 Document A Still, We Dance: Why Alvin Ailey's Revelations Is More Vital Than Ever Sixty years after its debut, the company's signature dance remains an ode to the deliverance of self-expression in the face of adversity. Every year, in theaters and concert halls around the globe, the Alvin Ailey American Dance Theater takes audiences to church. Not just any house of worship, but the working-class, Black, Southern temples of rural Texas. The gospel they see and feel is Revelations, the company’s signature dance, which has been staged more often 5 than the troupe’s other celebrated works, for some 25 million fans. This year Revelations turns 60, and it has lost none of its incantatory power. Against the backdrop of both a global pandemic that disproportionately ravages communities of color and the urgency of social justice movements including Black Lives Matter, Ailey’s valentine to the spirituals of his youth is its own call to action, an ode to the 10 deliverance of self-expression in the face of adversity. “Ailey’s dance language is ecstatic and virtuosic, and his choreography has given generations of Black dancers a world of complex movement and emotion to inhabit,” says the critic Margo Jefferson. As a young woman Debbie Allen saw Revelations, and it was a watershed moment. “It was the permission I needed to throw away my pointe 15 shoes and