Sujet LLCER — Terminale — Centres étrangers — Bac 2023

SUJET 1 Le sujet porte sur la thématique « Expression et construction de soi ». 1re partie. Synthèse en anglais (16 points) Prenez connaissance de la thématique ci-dessus et du dossier composé des documents A, B et C et répondez en anglais à la consigne suivante (500 mots environ) : Paying particular attention to the specificities of the three documents, show how they interact to explore the tension between identity and social background. 2e partie. Traduction en français (4 points) Traduisez en français le passage suivant du document C (lignes 3 à 9) : He presents Gerald and Lydia with a sketch of the main house done one afternoon down at the beach, the first thing he's drawn in years that hasn't been for work. They set it atop the crowded mantel of the stone fireplace, next to piles of books and photographs, promise to have it framed. The family seems to possess every piece of the landscape, not only the house itself but every tree and blade of grass. Nothing is locked, not the main house, or the cabin that he and Maxine sleep in. 23-LLCERANG11 Page 2/9 Document A Jimmy SIME, untitled, 1937 (the photograph was taken in England). 23-LLCERANG11 Page 3/9 Document B Darren McGarvey: ‘Poverty is not the problem, the problem is wealth’ Scottish rapper and writer Darren McGarvey launches a vital new BBC series examining class and explains why social distancing began long before the Covid-19 pandemic. Darren McGarvey is a man of many talents. He’s the most successful Scottish rapper 5 of his generation, under the name Loki, a respected thinker whose powerful debut book, Poverty Safari – Understanding the Anger of Britain’s Underclass, examined the causes and lived experience of poverty to great acclaim, and a documentary maker whose first series looked at his home country from a fresh perspective. As McGarvey returns with that difficult second series, he explains why the concept of 10 social distancing could have implications way beyond the Covid-19 crisis. “For years I have identified myself publicly and internally as someone who cares deeply and is immersed in the realities of class inequality. It’s been an area of study, an area of constant experience – any of my work that is publicly noted deals with these issues. But I’m at an interesting point in my life, where I’m still very in touch with my working 15 class roots